The Kannada film is a must see its breezy narration and extraordinary performance of veteran actor Dr Vishnuvardhan.
Geleya may well appeal to the young and the mass audience. In a nutshell the film is high on technical aspects, but low on content -- a clichd fare with some entertaining moments.
Neenyaare comes as a breath of fresh air at a time when the Kannada film industry is facing a serious dearth of good films.
Good story, natural performance and great music makes this Kannada movie a must watch.
This is the first time that the actor and the filmmaker have come together for a film.
Kannada film Raaj, The Showman continues to make news even after its release what with a spate of police complaints, threat of law suits and failure to meet the high expectations it had.
Gulabi Talkies is an outstanding film with perfect casting and top class performances. Girish Kasaravalli once again comes with a master piece in a subject that is rarely touched by the Indian film industry.
Narendra Babu, on his Kannada film about Kabaddi players.
The film promises to be an out an out actioner.
Even if you find the climax offbeat, you will enjoy the film. Love Guru is certainly a different kind of film, worth watching.
Zindagi is a big disappointment -- the script does not make sense, the comic sequences are terrible, the editing is shoddy, and the lead actors are miscast.
Get your lowdown of what's happening in Kannada cinema.
Here's a first look at Kannada film Appu and Pappu.
The Kannada actor is donning the director's hat after ten long years in his latest untitled movie.
Tata Birla is an ordinary fare. Ravichandran and Jaggesh combo fails to enliven the magic of earlier films. Director Magadi's weak script and Guru Kiran's ordinary music are the weak links. The glamour girls do not contribute anything to lift the film.
Media baron Ramoji Rao's new Kannada film Savaari is the remake of the Telugu film, Gamyam.
Mussanje Maathu is an emotional film which is tug at your heartstrings. A good and clean family oriented film with excellent performances and classic music. Sudeep's outstanding performance is well complemented by competent performances of Ramya and Anu Prabhakar.
A lot was expected from Sadhu Kokila's latest Kannada film Gange Baare Thunge Baare. But the film ends up as a big bore. Prajwal lacks the maturity to carry off the emotional sequences.
The sets have been constructed to picturise an item song on Shradhdha Sharma for the Kannada film Jeeva. The film starring Prajwal is being directed by choreographer-turned-director Prahu Sreenivas.
Get your lowdown on what's happening in Telugu cinema.
The Kannada film is sans logic but is still an enjoyable fare.
It is an exciting time for Puneet Rajkumar. Not only is his latest Kannada film Bindaas doing well, his last film Milana too, directed by his cousin Prakash, just completed it's silver jubilee run a few days ago.
The combination of "Power Star" Puneeth Rajakumar and "Hat trick" director Prem is described as deadly, and that is the major highlight of the Kannada film Raj, the Showman presently being shot in Bangalore. Made on a budget of around Rs 7 to 8 crore, Raj, the Showman also stars Nisha Kothari as Puneet Raj Kuamr's heroine in the film.
Anjadhiru is a well-made remake of Mysskin's Tamil hit Anjaathe. Veteran actor Dwarakish, Aadi Lokesh, newcomer Muralidhar shine in their roles. Prashanth and cute Shubha Poonja have given their best. Director Janardhan has extracted best work from his technicians to make this one an engrossing thriller.
Sudeep plays a police officer in the movie.
The first 25 minutes of Kannada film Kempa raises a lot of expectations. Unfortunately, the rest of the film -- except the 20 minutes -- follows the usual trend of the underworld masala films.
Director Sharan makes up for his last two films with some fresh treatment this time around.
The direction comes in the wake of a violation by theatre owners of a Memorandum of Understanding, which states that any non-Kannada film can be played only on 21 screens in the state.
Aa Dinagalu captures the terrifying world of Bangalore Underworld with utmost sincerity and transparency. The film is sensible, frightening, and yet cool. Ilayaraja's camera work and Venu's camera work are the highlights.
Kannada film actress Jayamala created history of sorts when she became the only actress in the Indian film industry to be conferred a doctorate for her thesis on the rehabilitation of rural woman in Karnataka.
Gulama may impress the mass audience to some extent, but is not meant for the family audience.
A badly made film with weak script and average music. Only Vijay's fights make impact in this otherwise shabby film.
The Kannada film Maharshi is not only an extreme violent action drama without a credible story, but a perfect example of how a thoroughly incompetent and boring venture can be made.
Looking at the Kannada film with a social message.
